That’s when you saw him the auburn-haired boy with a visible scar on his cheek who was destined to become your personal confidant, standing there, shy as a mouse. You were up high on a scaffold, so you carefully turned around to see if what you were feeling was really the case. Except this was the first time you really felt it. It almost felt familiar, to a degree, like the eyes had looked at you before. One day, though, you could feel eyes peering into the back of your head. You got to do this all from the sidelines, not having to deal with any anxiety from meeting people. It was also nice to see tons of people, big and small, young and old, light up when they saw an exhibit they particularly liked. Not to mention the money, the people you worked with were genuinely happy-go-lucky people, clearly in love with the work they do. Then the offer became something you would have to have been idiotic to refuse. Originally, the offer from the museum included a grand total of zero dollars, but after completing two larger projects for them, they decided they wanted to keep you. What started as just a job to help kill some free time while finding a job that earned you money had become something you could genuinely say you looked forward to every single day. Nothing is meant to be professional in any way, nor is meant to offend, cause anxiety, cause anger, cause sadness, or promote disagreement among readers in any sort of (semi)permanent way.Ī/N: I’m really on a Tim kick, huh? Who’s complaining, though, because it ain’t me. Permanent Author’s Note: To clarify, I write because I get bored. After days and days of work, one extremely involved mural forces Y/N to stay late, and Tim offers to keep her company. After working up the courage to speak with her, they strike up a partnership neither one expected. Summary: Y/N works as a muralist at Tim’s museum, and he loves watching her work. Style: One-Shot (prompt: based on this amazing post by the lovely Angst (my first genuine attempt so go easy on me), fluff, mentions of intimate situations (in reference to art)
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